{"id":8666,"date":"2022-11-12T09:25:56","date_gmt":"2022-11-12T08:25:56","guid":{"rendered":"https:\/\/arhiv.mk\/?p=8666"},"modified":"2022-11-12T09:44:17","modified_gmt":"2022-11-12T08:44:17","slug":"%d0%b7%d0%b0-%d0%bf%d1%80%d0%be%d0%b5%d0%ba%d1%82%d0%be%d1%82-time-stands-still","status":"publish","type":"post","link":"https:\/\/arhiv.mk\/sq\/2022\/11\/12\/%d0%b7%d0%b0-%d0%bf%d1%80%d0%be%d0%b5%d0%ba%d1%82%d0%be%d1%82-time-stands-still\/","title":{"rendered":"RRETH PROJEKTIT \" TIME STANDS STILL\u201c"},"content":{"rendered":"
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RRETH KRIJUESVE T\u00cb FONDEVE DHE FONDIT \"V\u00ebllez\u00ebrit Manaki\".<\/h3>

Milton dhe Janaki Manaki ishin regjistruesit e par\u00eb filmik n\u00eb ballkana, fotograf\u00eb, esnaf\u00eb, p\u00ebrfaq\u00ebsues t\u00eb elit\u00ebs sociale. Ata hodh\u00ebn themelet e fotografis\u00eb dhe kinematografis\u00eb ballkanike, duke filluar veprimtarin\u00eb e tyre n\u00eb fund t\u00eb shekullit XIX. D\u00ebshmitar\u00eb t\u00eb rrjeteve politike n\u00eb territorin gjeografike t\u00eb Maqedonis\u00eb n\u00eb shekullin e XX, v\u00ebllez\u00ebrit Manaki treguan nj\u00eb vizion dhe dimension m\u00eb t\u00eb gjer\u00eb kulturor n\u00eb fush\u00ebn e fotografis\u00eb, duke tejkaluar shkall\u00ebn e pun\u00ebs n\u00eb studio, p\u00ebr nevojat komerciale t\u00eb qytetar\u00ebve tipike p\u00ebr bashk\u00ebkoh\u00ebsit e tyre t\u00eb biznesit nga esnafi fotografik. Ata u fokusuan n\u00eb pun\u00ebn e gjithanshme n\u00eb terren, e cila sot ka nj\u00eb vler\u00eb t\u00eb pa\u00e7mueshme p\u00ebr shkak t\u00eb p\u00ebrfshirjes s\u00eb fushave t\u00eb ndryshme t\u00eb shoq\u00ebris\u00eb. Veprimtaria e tyre ka qen\u00eb objekt i studimeve t\u00eb shumta n\u00eb fush\u00ebn e kultur\u00ebs, artit dhe historis\u00eb n\u00eb Evrop\u00eb dhe n\u00eb bot\u00eb<\/p>

Kuptimi i fotografis\u00eb sot \u00ebsht\u00eb i shum\u00ebansh\u00ebm, si p\u00ebr kultur\u00ebn dhe historin\u00eb, ashtu edhe p\u00ebr shkencat e tjera si dhe p\u00ebr nevojat sociale. Ndryshe nga materialet e shkruara arkivore q\u00eb flasin drejtp\u00ebrdrejt p\u00ebr nj\u00eb ngjarje, nj\u00eb fotografi autentike \u00ebsht\u00eb gjithmon\u00eb d\u00ebshmitare e asaj q\u00eb \u00ebsht\u00eb regjistruar n\u00eb m\u00ebnyr\u00eb specifike n\u00eb t\u00eb. Prej k\u00ebtu buron edhe r\u00ebnd\u00ebsia e tij si burim historik dhe si material arkivor\u00eb. Sot pjesa m\u00eb e madhe e vepr\u00ebs s\u00eb v\u00ebllez\u00ebrve Manaki ruhet n\u00eb Arkivin Shtet\u00ebror - Nj\u00ebsia Manastir (dokumentacion, negativ\u00eb, fotografi dhe objekte), nd\u00ebrsa materialet filmike n\u00eb Kinematek\u00ebn e Republik\u00ebs s\u00eb Maqedonis\u00eb s\u00eb Veriut.
Fondi arkivor regjistrohet me emrin: Fondi nr. 580 \u201cV\u00cbLLEZ\u00cbRIT MANAKI\u201d \u2013 MANASTIR, 1853-1964. Fondi ka gjithsej 23 kuti, gjasht\u00eb prej t\u00eb cilave p\u00ebrmbajn\u00eb dokumentacion nga an\u00ebtar\u00ebt e familjes Manaki (materiale biografike, dokumente personale, korrespondenc\u00eb, dokumente p\u00ebr veprimtari biznesi me pronat, libra nga veprimtaria fotografike dhe kinematografike e familjes Manaki etj.) . 17 kutit\u00eb e mbetura arkivore p\u00ebrmbajn\u00eb fotografi t\u00eb b\u00ebra nga v\u00ebllez\u00ebrit Manaki.
Numri i p\u00ebrgjithsh\u00ebm i fotografive n\u00eb k\u00ebt\u00eb fond \u00ebsht\u00eb rreth 10,000 (foto pozitive \u2013 kopje n\u00eb let\u00ebr). Gjithashtu, fondi num\u00ebron rreth 7000 negativ\u00eb qelqi, shumica e t\u00eb cil\u00ebve kan\u00eb p\u00ebrshkrime dhe rreth 3000 filma plan dhe roll. Fondi p\u00ebrmban gjithashtu 49 nj\u00ebsi pajisje fotografike dhe filmike.<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Koha q\u00eb kalon \u2013 rritja e vler\u00ebs s\u00eb d\u00ebshmitarit t\u00eb historis\u00eb apo vras\u00ebsit t\u00eb saj? (nevoja p\u00ebr t\u00eb mbrojtur burimin historik)
Materialet arkivore jan\u00eb vazhdimisht t\u00eb ekspozuara ndaj ndikimeve t\u00eb jashtme, pavar\u00ebsisht se sa t\u00eb mira jan\u00eb kushtet p\u00ebr ruajtjen e tyre. Materiali i n\u00ebnshtrohet proceseve kimike, t\u00eb cilat ulin cil\u00ebsin\u00eb e tij. Kjo vlen ve\u00e7an\u00ebrisht p\u00ebr fotografin\u00eb, e cila, p\u00ebr shkak t\u00eb vetive fizike dhe kimike, k\u00ebrkon kushte specifike p\u00ebr akomodim dhe ruajtje. Manipulimi i vazhduesh\u00ebm fizik i materialit origjinal e rrezikon m\u00eb tej at\u00eb dhe rrit rrezikun e d\u00ebmtimit t\u00eb tij. Po t\u00eb kemi parasysh faktin se fondi \u201cV\u00cbLLEZ\u00cbRIT MANAKI\u201d \u00ebsht\u00eb nj\u00eb fond i p\u00ebrdorur shpesh nga studiues nga i gjith\u00eb Gadishulli Ballkanik dhe m\u00eb gjer\u00eb, t\u00eb cil\u00ebt lejohen ta p\u00ebrdorin me ligj, at\u00ebher\u00eb rreziqet p\u00ebr k\u00ebt\u00eb fond jan\u00eb edhe m\u00eb t\u00eb m\u00ebdha. P\u00ebr m\u00eb tep\u00ebr, mosha e materialit arkivor \u00ebsht\u00eb nj\u00eb faktor rreziku q\u00eb duhet marr\u00eb seriozisht. E gjith\u00eb kjo imponon nevoj\u00ebn e digjitalizimit t\u00eb gjith\u00eb vepr\u00ebs s\u00eb v\u00ebllez\u00ebrve Manaki dhe mbrojtjes s\u00eb materialit origjinal arkivor, me vler\u00eb t\u00eb pa\u00e7mueshme. Prandaj nga kjo \u00ebsht\u00eb nevoja p\u00ebr t\u00eb ndaluar koh\u00ebn.<\/p>

Q\u00cbLLIMI I PROJEKTIT<\/h3>

Q\u00ebllimi yn\u00eb kryesor \u00ebsht\u00eb digjiitalizimi i plot\u00eb i t\u00eb gjith\u00eb fondit arkivor, duke p\u00ebrfshir\u00eb negativ\u00ebt, pozitivet dhe dokumentet origjinale. Digjitalizimi i plot\u00eb do t\u00eb n\u00ebnkuptoj\u00eb edhe mbrojtjen e materialit origjinale arkivore. Si produkt i k\u00ebtij procesi, do t\u00eb fitohet nj\u00eb kopje digjitale me cil\u00ebsi t\u00eb lart\u00eb t\u00eb materialit, e cila mund t\u00eb p\u00ebrdoret shum\u00eb m\u00eb leht\u00eb, nd\u00ebrsa materiali origjinal do t\u00eb ruhet s\u00ebrish n\u00eb kuti arkivore t\u00eb reja moderne, t\u00eb cilat do t\u00eb ofrojn\u00eb mbrojtje shum\u00eb m\u00eb t\u00eb mir\u00eb. n\u00eb t\u00eb ardhmen.<\/p>

Shkup, 5 tetor 2022<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

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[…]<\/p>","protected":false},"author":1,"featured_media":8372,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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